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CLever Audio Plug-in or CLAP is an open source software architecture, application programming interface and reference implementation suite for audio effect plugins as used in multimedia software such as digital audio workstations, audio editing software, and video editing software with integrated audio workflows.
The Guitar Rig environment is a modular system, providing capabilities for multiple amplifiers, effects pedals and rack mounted hardware.Primarily designed for electric guitar and bass, the software uses amplifier modeling to allow real-time digital signal processing in both standalone and DAW environments via plug-in (VST/DXi/RTAS/AU).
Eventide DDL 1745 Digital Delay Line Studio Processor. Eventide Inc. (also known earlier as Eventide Clock Works Inc.) is an American pro audio, broadcast and communications company whose audio division manufactures digital effects processors, digital signal processor (DSP) software, and guitar effects pedals.
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
The Deluxe Big Muff has an EH1330A circuit board, added compressor volume and threshold controls, and features a blend-on switch, a blend-on output and a compressor output. A slightly modified version was reissued in 1980. Big Muff Pi (V6) 1979 - 1982 Discontinued This pedal was last version of Big Muff before Electro-Harmonix was liquidated in ...
Loudness compensation, or simply loudness, is a setting found on some hi-fi equipment that increases the level of the high and low frequencies. [1] This is intended to be used while listening at low-volume levels, to compensate for the fact that as the loudness of audio decreases, the ear's lower sensitivity to extreme high and low frequencies ...
It was originally conceived as a part of the Constellation series of synthesizers. The initial Taurus I was manufactured from 1975 to 1981; a less popular redesign, Taurus II, followed from 1981 to 1983. Instead of a conventional keyboard, the Taurus uses an organ-style pedal board similar to the pedal keyboard of a spinet organ. This control ...