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AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
Comparison of audio synthesis environments; DirectMusic; Moodagent (AI based emotion keyed playlist generator and app) Music information retrieval; Software effect processor; Sound Recorder (Windows) Impromptu (programming environment) Keykit; Max (software) [3]
Ampex 601 playing a recording of "Les Paul's New Sound, Vol. II". Made in Redwood City, California, c. 1956. Internals of Ampex Fine Line F-44, a 3-head Ampex home-use audio tape recorder, c. 1965 AMPEX model 300 half-inch three-track recorder AMPEX 440 (2tr, 4tr) & 16-track MM 1000
The H5 Handy Recorder. Zoom H5 Handy Recorder is a handheld digital audio recorder from Zoom Corporation, introduced in January 2014. [1] [2] A successor to the Zoom H4n, the new model features interchangeable input capsules with microphones (as does the Zoom H6), allowing the recording of up to four tracks simultaneously, both internal and external.
In 1991, Barry used Creation Studios as a vehicle to fuel the development of RADAR, the world's first 24 track digital audio hard disk recorder. In 1993 - Creation showed RADAR at the October 1993 AES show in New York. Barry initially marketed RADAR under the Otari brand, and later under his own brand, iZ (iZ Technology Corporation).
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