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The cross-strung harp or chromatic double harp is a multi-course harp that has two rows of strings which intersect without touching. While accidentals are played on the pedal harp via the pedals and on the lever harp with levers, the cross-strung harp features two rows so that each of the twelve semitones of the chromatic scale has its own string.
The guitar zither (also chord zither, fretless zither, [1] [2] mandolin zither [3] or harp zither [4]) is a musical instrument consisting of a sound-box with two sets of unstopped strings. One set of strings is tuned to the diatonic , chromatic , or partially chromatic scale and the other set is tuned to make the various chords in the principal ...
The left hand worked the chord buttons, and the right hand would strum the strings in the narrow area below the chord bars. [11] Right hand strums were typically done with a plectrum similar to a guitar pick, made of shell, plastic, or compressed felt. A strum would usually activate multiple strings, playing the chord held down by the left hand.
Double chromatic harp, built ca. 1890 by Henry Greenway; one of two extant instruments of this type, (photo: National Music Museum) Henry Greenway (Birmingham, England, 1833 - St. Louis, Missouri, 1903) was an English-born American harp maker. He created a type of chromatic cross-strung harp displaying X
The three-row so-called "chromatic nyckelharpa", with three melody strings tuned A1 – C1 – G, one drone tuned at C (from the highest to the lowest string) that is only touched occasionally, and 12 resonance strings (one for each step of the chromatic scale). Kontrabasharpa ("double bass harp") – most popular during the 17th and 18th ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Clarke was born in Inglewood, California, on March 29, 1951. [2] In 1967, he began playing harmonica and was soon performing in Los Angeles-area clubs. [2] He struck up an association with blues harmonica virtuoso George "Harmonica" Smith [3] and the two began playing regularly together in 1977; their partnership lasted until Smith died in 1983.
Barcarolle, for violin (or cello), strings, harp and harpsichord (1993/1995) La Canzona refrigerativa dell arpa di Davide (David's Refreshing Harp Song), for cello & harp (1999) Sofia Gubaidulina. Garden of Joy and Sorrow, for harp, flute and viola; Lou Harrison. The Perilous Chapel, for harp, flute, cello and percussion (1948) Patrick Hawes
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