Search results
Results from the WOW.Com Content Network
The mezzotint printmaking method was invented by the German soldier and amateur artist Ludwig von Siegen (1609 – c. 1680). His earliest mezzotint print dates to 1642 and is a portrait of Countess Amalie Elisabeth of Hanau-Münzenberg, regent for her son, and von Siegen's employer. This was made by working from light to dark.
Godfrey Kneller, John Smith, 1696, Tate Britain, London. John Smith (c. 1652 – c. 1742) was an English mezzotint engraver and print seller. Closely associated with the portrait painter Godfrey Kneller, Smith was one of leading exponents of the mezzotint medium during the late 17th and early 18th centuries, and was regarded among first English-born artists to receive international recognition ...
Mensural notation is the musical notation system used for polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions amongst note values.
Thomas Frye (c. 1710 – 3 April 1762 [2]) was an Anglo-Irish artist, best known for his portraits in oil and pastel, including some miniatures [3] and his early mezzotint engravings.
Mezzotint printmaking originated in 17th century Europe and was distinguished for its incorporation of halftones in which gradations of light and shade produced forms instead of lines. [16] An example of intaglio , artists utilized mezzotint to reproduce images of oil on canvas paintings that could be distributed in mass copies.
Mezzotint was invented in the 17th century by Ludwig von Siegen, an amateur artist of German origin. To appreciate the significance of this event, picture a time before photography or the publication of sumptuously illustrated art books, when the only way to get an art education was as an apprentice.
Pages in category "17th century in music" The following 94 pages are in this category, out of 94 total. This list may not reflect recent changes. 0–9. 1601 in music;
late 15th century – 1540: Polish Gilbert Banester: c. 1445 – 1487: English Alexander Agricola: 1445/1446 – 1506: Franco-Flemish Johannes de Stokem: c. 1445 – 1487 or 1501: Franco-Flemish Adam von Fulda: c. 1445 – 1505: German Gaspar van Weerbeke: c. 1445 – after 1516: Franco-Flemish Isaiah the Serb: fl. later 15th century: Serbian ...