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Balinese ladies wearing geringsing textile. Balinese textiles are reflective of the historical traditions of Bali, Indonesia.Bali has been historically linked to the major courts of Java before the 10th century; and following the defeat of the Majapahit kingdom, many of the Javanese aristocracy fled to Bali and the traditions were continued.
Woven fabric with threads removed to make a grid (Reticella, Buratto) Machine made hexagonal net (Limerick, Needlerun net, Tambour) Knotted square net (either hand-made or machine-made) [1] Sol laces are embroidered in a circular pattern on radiating spokes of threads. These include Tenerife lace and Ñandutí lace. [2]
Lace is lightweight openwork fabric, patterned, either by machine or by hand, with open holes in the work. The holes can be formed via removal of threads or cloth from a previously woven fabric, but more often lace is built up from a single thread and the open spaces are created as part of the lace fabric.
Balinese girls wearing kebaya. The kebaya is the national attire of women from Indonesia, although it is more accurately endemic to the Javanese, Sundanese and Balinese peoples. [2] It is sometimes made from sheer material such as silk, thin cotton or semi-transparent nylon or polyester, adorned with brocade or floral pattern embroidery.
Kebaya renda, the earliest Nyonya kebaya uses lace, kebaya biku, an improved version of kebaya renda uses embroidery only at the hem of the dress while the kebaya sulam is the quintessential Nyonya kebaya that we know today. [85] Among popular embroidery motifs for kebaya sulam include flowers, butterflies, phoenixes, dragons and insects. The ...
Cutwork was usually done on white fabric, but around Sieradz, a pink and white striped cloth was sometimes used. Eyelet patterns were geometrical until the late 1800s. With the introduction of machine embroidery, designs became more diverse. [8]: 125–132 Fragment of Cutwork Lace, Italy, late 17th century (Cleveland Museum of Art).
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