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A good example of the deliberate creation of sonic artifacts is the addition of grainy pops and clicks to a recent recording in order to make it sound like a vintage vinyl record. Flanging and distortion were originally regarded as sonic artifacts; as time passed they became a valued part of pop music production methods. Flanging is added to ...
In sound recording and reproduction, and music, pumping or gain pumping is a creative misuse of compression, the "audible unnatural level changes associated primarily with the release of a compressor."
Music production (10 C, 43 P) R. Sound recording (20 C, 107 P) S. ... Pages in category "Sound production" The following 37 pages are in this category, out of 37 total.
The book Perfecting Sound Forever: An Aural History of Recorded Music, by Greg Milner, presents the loudness war in radio and music production as a central theme. [13] The book Mastering Audio: The Art and the Science , by Bob Katz, includes chapters about the origins of the loudness war and another suggesting methods of combating the war.
Musical tones produced by the human voice and all acoustical musical instruments incorporate noises in varying degrees. Most consonants in human speech (e.g., the sounds of f, v, s, z, both voiced and unvoiced th, Scottish and German ch) are characterised by distinctive noises, and even vowels are not entirely noise free.
In audio production, a stem is a discrete or grouped collection of audio sources mixed together, usually by one person, to be dealt with downstream as one unit. A single stem may be delivered in mono, stereo, or in multiple tracks for surround sound. [1] The beginnings of the process can be found in the production of early non-silent films.
A click is a sonic artifact in sound and music production, characteristically impulse-like, that is to say, almost instantaneous, sharp, aharmonic sound.
A sound at the lowest velocity can fade into a sound of a higher velocity, in the order of: first the first sound then the second. [20] All possible without fading out the sounds that are already present. [20] This in turn is a form of Layering that can be used in the mix. [20]