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Edison designed several phonograph types, both with internal and external horns for playing these improved cylinder records. The internal horn models were called Amberolas. Edison marketed its "Fireside" model phonograph with a gearshift and a 'model K' reproducer with two different styli, which allowed it to play both two-minute and four ...
Nevertheless, the Blue Amberol format was the longest-lived cylinder record series employed by the Edison Company. [1] These were designed to be played on an Amberola, a type of Edison machine specially designed for celluloid records that did not play older wax cylinders. Blue Amberols are more commonly seen today than earlier Edison 2-minute ...
"The Pattison Waltz" (1879 setting for solo piano) [1] The Pattison Waltz was a dance piece by the pianist and composer J.N. Pattison, published in 1877.It was popular in the 1880s and was selected by Thomas Edison as one of the first musical pieces to be recorded on his new wax phonograph cylinders, on February 25, 1889.
Its recordings, which comprise Edison cylinders and 78-rpm records of the traditional musics of the world, were first used for studies in comparative musicology, and now used for studies in ethnomusicology. The archive comprises approximately 350 collections, containing music from Africa (30%), North America (20%), Asia (20%), Australia and ...
In 1902, Edison's National Phonograph Company introduced Edison Gold Moulded Records, cylinder records of improved hard black wax, capable of being played hundreds of times before wearing out. These new records were under the working title of "Edison Hi-Speed Extra Loud Moulded Records", running at the speed of 160 RPM instead of the usual (ca ...
By 1881 the Volta associates had success in improving an Edison tinfoil machine to some extent. Wax was put in the grooves of the heavy iron cylinder, and no tinfoil was used. The basic distinction between the Edison's first phonograph patent, and the Bell and [Charles Sumner] Tainter patent of 1886 was the method of recording. Edison's method ...
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The horn on the Edison-Bell machine was black and after a failed attempt at selling the painting to a cylinder record supplier of Edison Phonographs in the UK, a friend of Barraud's suggested that the painting could be brightened up (and possibly made more marketable) by substituting one of the brass-belled horns on display in the window at the ...