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Xu Zhimo (徐志摩, Wu Chinese pronunciation: [ʑi tsɿ mu], Mandarin: [ɕy̌ ʈʂî mwǒ], 15 January 1897 – 19 November 1931) was a Chinese romantic poet and writer of modern Chinese poetry who strove to loosen Chinese poetry from its traditional forms and to reshape it under the influences of Western poetry and the vernacular Chinese language. [1]
The poem is an example of fu, translated into English as "songs" or "description", which were often intended to be recited, rather than sung. [2] Specifically, it is a sufu ( 俗賦 ) or "vulgar fu ", the likes of which were inspired by the oral traditions of Buddhism and Taoism during the Tang dynasty. [ 3 ]
This is a list of Chinese poems in the broad sense of referring to those poems which have been written in Chinese, translated from Chinese, authored by a Chinese poet, or which have a Chinese geographic origin. Chinese poems are poetry written, spoken, or chanted in the Chinese language. The various versions of Chinese include Classical Chinese ...
The earliest extant anthologies are the Shi Jing (詩經) and Chu Ci (楚辭). [2] Both of these have had a great impact on the subsequent poetic tradition. Earlier examples of ancient Chinese poetry may have been lost because of the vicissitudes of history, such as the burning of books and burying of scholars (焚書坑儒) by Qin Shi Huang, although one of the targets of this last event was ...
Nüshu (𛆁𛈬 ; simplified Chinese: 女书; traditional Chinese: 女書; pinyin: Nǚshū; [ny˨˩˨ʂu˦]; ' women's script ') is a syllabic script derived from Chinese characters that was used by ethnic Yao women [1] for several centuries in Jiangyong, a county within the southern Chinese province of Hunan. From the early 21st century ...
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Neoclassical ideas of the 18th century, [ 1 ] and lasted approximately from 1800 to 1850.
Bian was born in Haimen, Jiangsu on December 8, 1910, and liked to read classical and modern Chinese poems when he was very young. In 1929, he entered the English department of Beijing University to study. During this time he was greatly influenced by the English romantic poems and French symbolic poems, and began to write poems by himself.
A revival of the cí poetry form occurred during the end of the Ming dynasty and the beginning of the Qing dynasty which was characterized by an exploration of the emotions connected with romantic love together with its secularization, often in a context of a brief poetic story narrative within a cí poem or a linked group of cí poems in an ...