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Initial sessions took place at Mike Pinder's home studio built in the garage of his home "Beckthorns" in January 1972. Hayward reflects on the setting and the band's difficulty adjusting to their commercial success: "It was a ludicrous situation; we could afford to record anywhere in the world, and there we were in our keyboard player's garage.
The long and contemplative first movement combines the features of variations and rondo. [3] It is notable for its use of piano chords deep in the bass register, influenced by the sonorous English pianos Haydn came to appreciate while in London. [2] The short and cheerful second movement (in sharp contrast to the first) has the scheme A–B–A ...
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The first five appeared in 2006, with Days of Future Passed, In Search of the Lost Chord and To Our Children's Children's Children being double CD/SACDs, while On the Threshold of a Dream and A Question of Balance were single CD/SACDs. Every Good Boy Deserves Favour and Seventh Sojourn followed in 2007, both single CD/SACD. The project was ...
Every Good Boy Deserves Favour is the seventh album by The Moody Blues, released in 1971. The album reached No. 1 on the British album chart, in addition to a three-week stay at No. 2 in the United States, and produced one top-40 single, " The Story in Your Eyes ".
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In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
Jean Alain Roussel (born 1951 in Port Louis, Mauritius) is a musician, composer, record producer, arranger, educator and "Music in Life & Sound Frequency Well-Being" sono-therapist.
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