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Lost work (ref. Monteverdi letter 26 March ) [7] 1611: Sacred: 2 motets: 2–5 voices: Lost work (ref. Monteverdi letter 26 March ) [7] 1614: Madrigal/song: 107–116: Il sesto libro de madrigali (Sixth Book of Madrigals, 10 pieces, details table L below) 5–7 voices, basso continuo: Monteverdi, Venice 1614, repub. 1615, 1620, 1639
The canzonetta form was much used by composers of the day as a technical exercise, and is a prominent element in Monteverdi's first book of madrigals published in 1587. In this book, the playful, pastoral settings again reflect the style of Marenzio, while Luzzaschi's influence is evident in Monteverdi's use of dissonance. [67]
Monteverdi: Madrigali (7-disc set: complete 1st, 2nd, 3rd, 6th, 7th and 8th books) The Consort of Musicke conductor: Anthony Rooley CD: Virgin 0833972 [5] 2005 Monteverdi: Il sesto libro de madrigali, 1614 (complete Sixth Book) La Venexiana conductor: Claudio Cavina CD: Glossa GCD920926 [5] 2007 Monteverdi: Il sesto libro de madrigali, 1614
In addition to recording the complete madrigals of Monteverdi (all 9 books), Delitiae Musicae completed the recording of the six books of madrigals of Gesualdo in 2013, and has made other recordings of works by Palestrina and Banchieri.
The success of the first book of madrigals, Il primo libro di madrigali (1539), by Jacques Arcadelt (1507–1568), made it the most reprinted madrigal book of its time. [10] Stylistically, the music in the books of Arcadelt and Verdelot was closer to the French chanson than the Italian frottola and the motet, given that French was their native ...
It was first performed in Venice in 1624, and printed in 1638 in Monteverdi's eighth book of madrigals. Monteverdi used musical features here for the first time to enhance the dramatic depiction of a battle in stile concitato, such as pizzicato and tremolo.
The Full Monteverdi is a 2007 British film written and directed by John La Bouchardière and based on his live production of the same name, itself based on Claudio Monteverdi's fourth book of madrigals (1603) which, in turn, is a collection of settings of poems by such Italian Renaissance poets as Giovanni Battista Guarini, Ottavio Rinuccini and Torquato Tasso. [1]
Benedetto Pallavicino (c. 1551 – 26 November 1601) was an Italian composer and organist of the late Renaissance.A prolific composer of madrigals, he was resident at the Gonzaga court of Mantua in the 1590s, where he was a close associate of Giaches de Wert, and a rival of his younger contemporary Claudio Monteverdi.
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