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The first recorded performance of the sonata took place on the eve of the premiere at the home of the Clercs, with Paul Viardot on the violin and Fauré himself playing the piano part. The private performance was met with lively enthusiasm.
Op. 5 No. 1 – Violin Sonata in A major; Op. 5 No. 2 – Violin Sonata in F major; Op. 5 No. 3 – Violin Sonata in E minor; Op. 5 No. 4 – Violin Sonata in B flat major; Op. 5 No. 5 – Violin Sonata in B minor; Op. 5 No. 6 – Violin Sonata in C minor; Op. 5 No. 7 – Violin Sonata in A minor; Op. 5 No. 8 – Violin Sonata in D major
Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113
A violin sonata is a musical composition for violin, often accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form.
Violin Sonata No. 1, Op. 80 (Prokofiev): Scores at the International Music Score Library Project; Recording of Violin Sonata No. 1, Sergei Ostrovsky (violin), Ido Bar-Shai (piano) (Wayback Machine archive). on YouTube, Oistrakh, Oborin (1946) on YouTube, Live recording from Wigmore Hall, Lana Trotovšek (violin), Maria Canyigueral (piano)
It is regarded as one of the masterpieces of the violin repertoire. [1] Composed in Cleveland in 1920, the work makes considerable demands of both technique and endurance from the violinist. [1] Bloch himself described the sonata as a "tormented work", [2] and Roger Sessions described it as having a characteristic "mood of pessimism, irony and ...
It took almost thirty-five years before Janáček returned to the composition of music for the same combination of instruments. The sonata was created in the period of composer’s marked interest in chamber music (Piano Trio (now lost), 1908, Pohádka (Fairy Tale) for cello and piano, 1910), and also at the beginning of World War I.
The Violin and Piano Sonata No. 1 by Maurice Ravel, known also as Sonate posthume, is the composer's earliest instance of a sonata for this combination of instruments. Though it was composed 30 years before the publication of his second violin sonata , it was not published until 38 years after his death.