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"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to
The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (/ ˈ h æ m l ɪ t /), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play.
Field of battle between the camps. 21 IV 8 Under the walls of Alexandria. 44 IV 9 Alexandria. Octavius Caesar's camp. 43 IV 10 The field of battle between the camps. 10 IV 11 Another part of the field of battle between the camps. 4 IV 12 Another part of the field of battle between the camps. 53 IV 13 Alexandria. Cleopatra's palace. 12 IV 14 ...
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
From the "Tomorrow and tomorrow and tomorrow" soliloquy (V.v; including "all our yesterdays have lighted fools the way to dusty death", "Out, out, brief candle!", "Life's but a walking shadow, a poor player that struts and frets his hour upon the stage" and "It is a tale told by an idiot, full of sound and fury, signifying nothing"):
Yorick is an unseen character in William Shakespeare's play Hamlet.He is the dead court jester whose skull is exhumed by the First Gravedigger in Act 5, Scene 1, of the play. . The sight of Yorick's skull evokes a reminiscence by Prince Hamlet of the man, who apparently played a role during Hamlet's upbringin
Even in the famous 3.1 soliloquy, Hamlet gives voice to the conflict. When he asks if it is "nobler in the mind to suffer", [80] Cantor believes that Shakespeare is alluding to the Christian sense of suffering. When he presents the alternative, "to take arms against a sea of troubles", [81] Cantor takes this as an ancient formulation of goodness.
A. C. Bradley, in considering this question, concluded the play "always was an extremely short one", noting the witch scenes and battle scenes would have taken up some time in performance, remarking, "I do not think that, in reading, we feel Macbeth to be short: certainly we are astonished when we hear it is about half as long as Hamlet ...