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The Piano Trio in C minor, MWV Q3, is a chamber work by Felix Mendelssohn. It was composed in 1820 and published posthumously in 1970. [1] Unlike many other piano trios, this work is scored for piano, violin and viola. [2] In key, all the movements are in minor, ending also in minor.
Quasi allegro (C minor, with a trio in C major), 3 4; Finale. Prestissimo (C minor, concluding in C major), 2 2; Unlike the other piano trios in this opus, the third trio does not have a scherzo as its third movement but a minuet instead. This third piano trio was later reworked by Beethoven into the C minor string quintet, Op. 104. [4]
The Piano Trio No. 2 in C minor, Op. 66, was written by Felix Mendelssohn in 1845 and published in February 1846. [1] The work is scored for a standard piano trio consisting of violin, cello and piano. Mendelssohn dedicated the work to his close friend and violinist, Louis Spohr, who played through the piece with the composer at least once. [2]
Lekeu composed about 50 works and left a number of unfinished compositions at the time of his death. Two of these, a Cello Sonata and his Piano Quartet, were completed by d'Indy. [7] All have been recorded at least once, and several of them more than once, notably the Violin Sonata in G Major and the Piano Trio in C minor.
The String Quintet in C minor, Op. 104, written by Ludwig van Beethoven in 1817, performed on 10 December 1818, and published in 1819, is an arrangement of the early C minor Piano Trio, Op. 1 No. 3. [1] [2] This work is scored for a string quintet with two violas. The work is referenced in Vikram Seth's 1999 novel An Equal Music.
Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. 56, commonly known as the Triple Concerto, was composed in 1803 and published in 1804 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio , and it is the only concerto Beethoven ever completed for more than ...
The Piano Trio in B-flat major, Op. 11, was composed by Ludwig van Beethoven in 1797 and published in Vienna the next year. It is one of a series of early chamber works, many involving woodwind instruments because of their popularity and novelty at the time. The trio is scored for piano, clarinet (or violin), and cello (sometimes replaced by ...
The final movement (6/8, G minor) is the movement most strikingly similar to Smetana's Sonata in G minor (4th movement, Finale molto vivace). The first theme and the two-versus-three figures are nearly identical. The scoring accommodates the violin and cello as accompaniment figures to the piano until the arrival of the second theme.