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The Yamaha SHS-10, known in Yamaha's native country, Japan, as the Yamaha Sholky, Sholky being derived from "Shoulder Keyboard", is a keytar (a musical keyboard that can be held like a guitar) manufactured by Yamaha and released in 1987.
Yamaha SHS-10. The Yamaha SHS-10, released in 1987, has a small keyboard with 32 minikeys and a pitch-bend wheel, an internal Frequency modulation (usually referred to as FM) synthesizer offering 25 different voices with 6-note polyphony. Onboard voices include a range of keyboard instruments (pipe organ, piano, electric piano, etc.); strings ...
In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers. Electronic keyboards offer a diverse selection of instrument sounds (piano, organ, violin, etc.) along with synthesizer tones. Designed primarily for beginners and home users, they generally feature unweighted keys.
When the program stops (which should happen quite quickly for such a simple program), the display will be showing the number n + 2. You can see that the codes 85, 95 and 91 correspond to the positions of the keys labelled + , = and R/S on the grid above, but the code for the 2 is not 83 as you would expect from the grid position, but 02.
Yamaha YM2420 (OPLL2) is a variant with slightly changed registers (intentionally undocumented to avoid hardware piracy), used in Yamaha's own home keyboards. It has the same pinout and built-in FM patches as the YM2413, but several registers have parts of the bit order reversed. Yamaha YM2423 (OPLL-X) is another YM2413 derivative. It has the ...
Even though the keyboard layout is simple and all notes are easily accessible, playing requires skill. A proficient player has undertaken much training to play accurately and in tempo. Beginners seldom produce a passable rendition of even a simple piece due to lack of technique. The sequences of movements of the player's hands can be very ...
For the time a length between 10 and 160ms can be chosen while the multiplier can defined with up to 254 repetitions. With use of the longest step time of 160 ms, the full 254 repetitions and all fifty vector movements a complete sound progression length of up to thirty three minutes and fifty two seconds can be achieved with a single key press.
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