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Included in Moralia is a letter addressed by Plutarch to his wife, bidding her not give way to excessive grief at the death of their two-year-old daughter, who was named Timoxena after her mother. [18] In the letter, Plutarch expresses his belief in reincarnation: [19] The soul, being eternal, after death is like a caged bird that has been ...
Plutarch and his wife, Timoxena, [19] had at least four sons and one daughter, although two died in childhood. A letter is still extant, addressed by Plutarch to his wife, bidding her not to grieve too much at the death of their two-year-old daughter, who was named Timoxena after her mother, which also mentions the loss of a young son, Chaeron ...
[1] [2] [3] Her husband abandoned his entire family at the site as he fled from Alexander, including his mother Sisygambis and his daughters Stateira II and Drypetis. Alexander is reported to have treated them with great respect. [3] [2] [4] According to Plutarch, Stateira died giving birth to a son, Ochus, in early 332 BC. [5]
According to certain studies, the public life of women in the time of Jesus was far more restricted than in Old Testament times. [1]: p.52 At the time the apostles were writing their letters concerning the Household Codes (Haustafeln), Roman law vested enormous power (Patria Potestas, lit. "the rule of the fathers") in the husband over his "family" (pater familias) which included his wife ...
Milton also mentions Moloch in his poem "On the Morning of Christ's Nativity", where he flees from his grisly altars. [62] Similar portrayals of Moloch as in Paradise Lost can be found in Friedrich Gottlieb Klopstock's epic poem Messias (1748–1773), [8] and in Alfred, Lord Tennyson's poem The Dawn, where Moloch represents the barbarism of ...
Engraving facing the title page of an 18th-century edition of Plutarch's Lives. The Parallel Lives (Ancient Greek: Βίοι Παράλληλοι, Bíoi Parállēloi; Latin: Vītae Parallēlae) is a series of 48 biographies of famous men written in Greek by the Greco-Roman philosopher, historian, and Apollonian priest Plutarch, probably at the beginning of the second century.
In 1736, Jean Leconte de Bièvre published the Histoire de deux Aspasies, also based on Plutarch's depiction, which portrayed Aspasia as an educated woman and Pericles' teacher as well as his wife. [69] The eighteenth century also saw the first known image of Aspasia to be created by a woman, Marie Bouliard's Aspasie. [70]
Plutarch, in his biography of Artaxerxes II, did not believe this story. According to another tradition, Parysatis murdered her daughter-in-law because she realized that her son only felt true love for his wife. Plutarch reports that Parysatis performed the assassination with the help of a loyal servant named Gigis.