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Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Gardeners and florists share popular flower meanings, including roses, tulips and peonies. Learn which blooms are symbols of love, death, strength and luck.
Victory of life over death, thus a plant assigned to Christ, furthermore a symbol of humility, the Holy Spirit and the Holy Trinity: The name "columbine" comes from the Latin for "dove", due to the resemblance of the inverted flower to five doves clustered together. [4] [3] Daisy: Innocence, beauty, salvation, modesty, purity and love ...
The Netherlands is the world's main producer of commercial tulip plants, producing as many as 3 billion bulbs annually, the majority for export. [52] "Unlike many flower species, tulips do not produce nectar to entice insect pollination. Instead, tulips rely on wind and land animals to move their pollen between reproductive organs.
The name of the flower likely comes from an Old English poem by John Gay about a woman by that name. It probably came over during Colonial times, when the settlers sewed the wildflower on the ...
Every part of the tulasi plant is revered and considered sacred, including the leaves, stem, flower, root, seeds and oil. [31] Even the soil around the plant is holy. The Padma Purana declares a person who is cremated with tulasi twigs in his funeral pyre gains moksha and a place in Vishnu's abode Vaikuntha .
The name "rose of Sharon" is also commonly applied to several horticultural plants, [12] all originating outside the Levant and not likely to have been the plant from the Bible: Hypericum calycinum, the usual plant known by this name in British English. It is an evergreen flowering shrub native to southeast Europe and southwest Asia.
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.