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"Let Me Be the One" was the United Kingdom's entry in the Eurovision Song Contest 1975, written by Paul Curtis and performed in English by the band The Shadows. The song was performed ninth that night. At the close of voting, it had received 138 points, placing it 2nd out of 19.
"Let Me Be the One" won the national and went on to come 2nd in the contest. [2] For the Eurovision Song Contest, broadcast on 22 March 1975, Pete Murray provided the BBC Television commentary, having previously presented the contest for BBC Radio in 1968 and 1969, 1972 and 1973. Terry Wogan once again provided the radio commentary on BBC Radio 2.
The Eurovision Song Contest 1975 was the 20th edition of the Eurovision Song Contest, held on 22 March 1975 in the Sankt Eriks-Mässan in Stockholm, Sweden and presented by Karin Falck. Organised by the European Broadcasting Union (EBU) and host broadcaster Sveriges Radio (SR), the contest was held in Sweden following the country's victory at ...
"Let Me Be the One" (Exposé song), 1987 "Let Me Be the One" (Five Star song), 1985 "Let Me Be the One" (Hank Locklin song), 1953 "Let Me Be the One" (The Shadows song), 1975 "Let Me Be the One" (Sasha song), 2000 "Let Me Be the One", a song by Blessid Union of Souls from Home "Let Me Be the One", a song by Kevin Costner & Modern West "Let Me ...
Nicole Rieu (born 16 May 1949) is a French singer, best known outside France for her participation in the 1975 Eurovision Song Contest. Rieu signed her first record contract with AZ Records in 1969. In 1973 she was spotted by the larger Barclay label, where she was offered a deal, and scored a hit with her first release "Je suis".
Let Me Be the One is a single by Exposé, released on May 15, 1987. It was written and produced by Lewis Martineé and appears on their debut album, Exposure . The lead vocals on the song were performed by Gioia Bruno .
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Dracass was born in Sheffield, South Yorkshire to parents Martin and Denise (née Hill), and was discovered at 13 years old by Alan Wood. She was directed to Alan Kirk's recording studio, and the demos she recorded were then played to Peter Van Hooke, who signed Dracass to his production company who then, in turn, signed her to a recording contract with Universal Records.