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The Byzantines perfected a unique form of cloisonné icons. Byzantine enamel spread to surrounding cultures and a particular type, often known as "garnet cloisonné" is widely found in the Migration Period art of the "barbarian" peoples of Europe, who used gemstones, especially red garnets, as well as glass and enamel, with small thick-walled cloisons.
Fieschi Morgan Staurothèque - early 9th century Fieschi Morgan Staurothèque - early 9th century. The Fieschi Morgan Staurotheke is a small reliquary designed to hold a relic of the true cross, it is 1 1/16 x 4 1/16 x 2 13/16 inches (2.7 x 10.3 x 7.1 cm) overall with lid.
The Khalili Imperial Garniture is a trio of cloisonné vases created for a Japanese Imperial commission during the Meiji era. [1] The items were exhibited at the World's Columbian Exposition in Chicago, United States, in 1893, where they were described as "the largest examples of cloisonné enamel ever made".
The lid of the Limburg Staurotheke. The box and its sliding, removable lid were made second and is designed to hold the cross reliquary in the center of the box. Surrounding the cross are ten enamel panels that depict angels wearing court outfits. Next to the angels are 10 more panels that each depict a pair of either cherubim or seraphim.
Paul Gauguin, The Yellow Christ (Le Christ jaune) 1889, oil on canvas Albright-Knox Art Gallery, Buffalo, New York. Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours.
The Namikawa Cloisonne Museum of Kyoto and Kiyomizu Sannenzaka Museum in Higashiyama-ku, Kyoto, exhibits a range of his items. The most highly acclaimed and famous of his works is the 1899 Vase with Flowers and Birds of the Four Seasons (å››å£èŠ±é³¥å›³èŠ±ç“¶) which is owned by the Museum of the Imperial Collections.
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