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In this chromatic transposition, the melody on the first line is in the key of D, while the melody on the second line is identical except that it is a major third lower, in the key of B ♭. In music, transposition refers to the process or operation of moving a collection of notes (pitches or pitch classes) up or down in pitch by a constant ...
The Old English beorht "bright" underwent metathesis to bryht, which became Modern English bright. The Old English þrēo "three" formed þridda "thrid" and þrēotene "thriteen". These underwent metathesis to forms which became Modern English third and thirteen. The Old English verb wyrċan "to work" had the passive participle ġeworht "worked".
Since they are seldom played in concert with other instruments and carillonneurs need standardized sheet music, carillons often transpose to a variety of keys—whichever is advantageous for the particular installation; many transposing carillons weigh little, have many bells, or were constructed on limited funds. [2]
Violating an anticipated structure in music could mean a harmonically unexpected note or chord in a musical sequence. As in language this is associated with a "processing cost due to the tonal distance" (Patel, 2008) and therefore means that more resources are needed for activating low-activation items.
The term grammar can also describe the linguistic behaviour of groups of speakers and writers rather than individuals. Differences in scale are important to this meaning: for example, English grammar could describe those rules followed by every one of the language's speakers. [2]
In that regard, a musical permutation is a combinatorial permutation from mathematics as it applies to music. Permutations are in no way limited to the twelve-tone serial and atonal musics, but are just as well utilized in tonal melodies especially during the 20th and 21st centuries, notably in Rachmaninoff 's Variations on the Theme of ...
The contents of the Music transposer page were merged into Transposition (music) on 26 December 2023. For the contribution history and old versions of the redirected page, please see its history ; for the discussion at that location, see its talk page .
In Persian, Turkic, and Urdu ghazals, the radīf (from Arabic رديف; Persian: ردیف; Azerbaijani: rədif; Turkish: redif; Urdu: ردیف; Uzbek: radif) is the word which must end each line of the first couplet and the second line of all the following couplets. [a] It is preceded by a qafiya, which is the actual rhyme of the ghazal. [1] [2 ...