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Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's
Sunrise on the Matterhorn is painting by American artist Albert Bierstadt. Done in oil on canvas and depicting the famous Matterhorn, the painting was produced during one of Bierstadt's numerous trips to Switzerland between the years 1867 and 1897. The painting is currently in the collection of the Metropolitan Museum of Art. [1]
Georgia O'Keeffe, Sunrise, watercolor, 1916. The painting is more subtle and evocative of a sunrise than her Sunrise painting of 1916. Rather than the depiction a brilliant sunrise, Light Coming on the Plains is evocative of the sun rising in the sky through ever deepening color washes of indigo blue. [8]
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
Paul Nash, We Are Making a New World, Imperial War Museum Sunrise, Inverness Copse, the 1918 drawing on which the painting was based. We Are Making a New World is a 1918 oil-on-canvas painting by Paul Nash. The optimistic title contrasts with Nash's depiction of a scarred landscape created by a battle of the First World War, with shell-holes ...
Norham Castle, Sunrise is an oil-on-canvas painting by English painter J. M. W. Turner, created around 1845. The painting depicts Norham Castle, overlooking the River Tweed, the border between England and Scotland. The painting was bequeathed to the National Gallery of British Art (now Tate Britain) as part of the Turner Bequest in 1856.
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The arches of the shattered bridge and the columns of the temple are still visible; a single column looms in the foreground, now a nesting place for birds. The sunrise of the first painting is mirrored here by a moonrise, a pale light reflecting in the ruin-choked river while the standing pillar reflects the last rays of sunset. This gloomy ...
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