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Effect of light from the rose window in Bari Cathedral, recurring in religious architecture to metaphorically allude to the spiritual light. [1]In theology, divine light (also called divine radiance or divine refulgence) is an aspect of divine presence perceived as light during a theophany or vision, or represented as such in allegory or metaphor.
The eye of God within a triangle, representing the Holy Trinity, and surrounded by holy light, representing His omniscience. Heptagram. Judaism, Islam, Thelema, Paganism, Alchemy. Represents the seven days of creation. In Islam, it represents the first seven verses of the Quran. It is the symbol of Babalon in Thelema.
The amethyst is a brilliant transparent stone of a purple colour and varies in shade from violet purple to rose. There are two kinds of amethysts: the oriental amethyst, a species of sapphire that is very hard (cf. Heb.,hlm), and when colourless is almost indistinguishable from the diamond. The occidental amethyst is of the silex family and is ...
Pentagram. A pentagram (sometimes known as a pentalpha, pentangle, or star pentagon) is a regular five-pointed star polygon, formed from the diagonal line segments of a convex (or simple, or non-self-intersecting) regular pentagon. Drawing a circle around the five points creates a similar symbol referred to as the pentacle, [1] which is used ...
In Hinduism, a basic mandala, also called a yantra, takes the form of a square with four gates containing a circle with a center point. Each gate is in the general shape of a T. [3] Mandalas often have radial balance. [4] A yantra is similar to a mandala, usually smaller and using a more limited colour palette.
The seven rays is a concept that has appeared in several religions and esoteric philosophies in both Western culture and in India since at least the sixth century BCE. [1]In occidental culture, it can be seen in early Western mystery traditions, such as Gnosticism and Mithraism, and in texts and iconic art of the Catholic Church as early as the Byzantine Empire.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
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