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During the 18th century, men's wigs became smaller and more formal with several professions adopting them as part of their official costumes. This tradition survives in a few legal systems. They are routinely worn in various countries of the Commonwealth. Until 1823, bishops of the Church of England and Church of Ireland wore ceremonial wigs ...
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
The cadogan style of men's hair developed and became popular during this period, with horizontal rolls of hair over the ears. Later, wigs or the natural hair were worn long, brushed back from the forehead and clubbed or tied back at the nape of the neck with a black ribbon. From about 1720, a bag wig gathered the back hair in a black silk bag.
Although men had worn wigs to cover up thinning hair or baldness since 1624 when King Louis XIII of France (1601–1643) started to pioneer wig-wearing, the popularity of the wig or periwig as the standard wardrobe is usually credited to his son and successor Louis XIV of France (1638–1715). Louis started to go bald at a relatively young age ...
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
Maximilien Robespierre (1758–1794) wearing a powdered wig tied in a queue that was a common piece of men's dress by c. 1795. A Spanish soldier wearing a queue (1761) In the 18th century, European soldiers styled their traditionally long hair into a queue called the "soldier's queue."
A Titus cut or coiffure à la Titus was a hairstyle for men and women popular at the end of the 18th century in France and England. The style consisted of a short layered cut, typically with curls. [1] It was supposedly popularized in 1791 by the French actor François-Joseph Talma who played Titus in a Parisian production of Voltaire's Brutus ...
First, and most clearly, it lampoons the fashion for outlandish wigs in the mid to late 18th century. Second, in classifying the wigs into "orders", it satirises the formulation of canons of beauty from the analysis of surviving pieces of classical architecture and sculpture from ancient Greece and ancient Rome, particularly the classical ...
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