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Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. Concert pitch may vary from ensemble to ensemble, and has varied widely over time. The ISO defines international standard pitch as A440 , setting 440 Hz as the frequency of the A above middle C .
An increasing number of new carillons have been installed in concert pitch as a result of the desire to establish the carillon as a full-fledged concert instrument. [3] Celesta: C 5: Clarinet A ♭ clarinet: A ♭ 4: E ♭ clarinet: E ♭ 4: D clarinet: D 4: B soprano clarinet: B 3: B ♭ clarinet: B ♭ 3: A soprano clarinet: A 3: Basset ...
Some instruments are constructed in a variety of sizes, with the larger versions having a lower range than the smaller ones. Common examples are clarinets (the high E ♭ clarinet, soprano instruments in C, B ♭ and A, the alto in E ♭, and the bass in B ♭), flutes (the piccolo, transposing at the octave, the standard concert-pitch flute, and the alto flute in G), saxophones (in several ...
Modes of limited transposition are musical modes or scales that fulfill specific criteria relating to their symmetry and the repetition of their interval groups. These scales may be transposed to all twelve notes of the chromatic scale, but at least two of these transpositions must result in the same pitch classes, thus their transpositions are "limited".
Diatonic transposition is scalar transposition within a diatonic scale (the most common kind of scale, indicated by one of a few standard key signatures). For example, transposing the pitches C 4 –E 4 –G 4 up two steps in the familiar C major scale gives the pitches E 4 –G 4 –B 4.
Using the barre technique, the guitarist can fret a familiar open chord shape, and then transpose, or raise, the chord a number of half-steps higher, similar to the use of a capo. For example, when the current chord is an E major and the next is an F ♯ major, the guitarist barres the open E major up two frets (two semitones) from the open ...
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