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Phonk (/ f ɒ ŋ k / ⓘ) is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The style is characterized by vocals from old Memphis rap tapes and samples from early 1990s hip hop, especially cowbell samples resembling that of the Roland TR-808 drum machine.
The soundtrack was released on April 14, 1978, two months ahead of the film's release. [1] As with most musicals of the period, the vocal takes recorded for the album release–and in some cases the instrumental background as well–do not lock to picture but were recorded during entirely different soundtrack sessions often months prior or subsequent to the performances used for lip sync in ...
Music to Eat is an album by the avant garde rock group Hampton Grease Band. Their only album, and the first album by a band fronted by Bruce Hampton, it was released in 1971 as a two-disc LP. Music to Eat did not sell many copies. Despite this, it has since garnered enough interest to warrant Columbia to officially re-issue the album on CD in ...
Grease Live! (Music from the Television Event) is the soundtrack to the 2016 live produced musical television special Grease Live! , a remake of the 1978 film Grease . The album was released on January 31, 2016 by Paramount Music in digital and physical formats, [ 1 ] the same day as its television broadcast on Fox .
Two singles preceded the soundtrack to Grease: Rise of the Pink Ladies — the recreated version of "Grease Is the Word" from the 1978 film was released as the first from the album on March 10, 2023, with a music video accompanying the single, featured Marisa Davilla as Jane and the cast performing the song.
Damon J. Blackman (born August 9, 1974), better known by his stage name Dame Grease or simply Grease, is an American record producer from New York City. In 1996, he gained recognition in the hip hop industry through his production work with Bad Boy and The LOX , while also establishing the sound of DMX and Ruff Ryders .
Unlike earlier albums, Harbor Lights allowed more space for Hornsby's and guest-players' "extended instrumental" solos to "flow naturally" out of the songs. [2] The tone was set by the opening title track, which after 50 seconds of expansive solo piano lurches into an up-tempo jazz number, ending with Metheny 's guitar runs.
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