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The story revolves around a portrait of Dorian Gray painted by Basil Hallward, a friend of Dorian's and an artist infatuated with Dorian's beauty. Through Basil, Dorian meets Lord Henry Wotton and is soon enthralled by the aristocrat's hedonistic worldview: that beauty and sensual fulfilment are the only things worth pursuing in life.
For fictional characters in other parts of the LGBTQ community, see the lists of trans, bisexual, lesbian, non-binary, pansexual, aromantic, asexual, and intersex characters. The names are organized alphabetically by surname (i.e. last name), or by single name if the character does not have a surname. If more than two characters are in one ...
The Picture of Dorian Gray begins on a summer day in Victorian England, where Lord Henry Wotton, an opinionated man, is observing the sensitive artist Basil Hallward painting a portrait of Dorian Gray, a handsome young man, who is Basil's ultimate muse.
The Picture of Dorian Gray is a 1945 American supernatural horror-drama film based on Oscar Wilde's 1890 novel of the same name.Released in June 1945 by Metro-Goldwyn-Mayer, the film was directed by Albert Lewin, and stars George Sanders as Lord Henry Wotton and Hurd Hatfield as Dorian Gray.
The first version of The Picture of Dorian Gray was published as the lead story in the July 1890 edition of Lippincott's Monthly Magazine, along with five others. [126] The story begins with a man painting a picture of Gray. When Gray, who has a "face like ivory and rose leaves", sees his finished portrait, he breaks down.
Dorian Gray The Picture of Dorian Gray: 1890 Oscar Wilde: Gay In this novel, Basil has a "repressed homosexuality" while Dorian has his own ambivalence, meeting with male prostitutes, even proposing to Sybil Vane in an attempt to suppress his homosexual feelings. [12] [13] Arthur Ravener Captain Dillington A Marriage Below Zero: 1889 Alan Dale: Gay
The Picture of Dorian Gray, 1943, oil on canvas, 85 x 42 inches. In 1943, Albright was commissioned to create the titular painting for Albert Lewin's film adaptation of Oscar Wilde's The Picture of Dorian Gray. His naturalistic, exaggerated depictions of decay made him suited to create the image of the corrupted Dorian.
Montesquiou likely contributed to Oscar Wilde's The Picture of Dorian Gray, and was a main basis of the homosexual character Baron de Charlus in good friend Marcel Proust's In Search of Lost Time – particularly its 1921 fourth part, Sodom and Gomorrah [9] – at which point he was effectively outed to the world. [13]