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Waldemar Januszczak (born 12 January 1954) is a Polish-British art critic and television documentary producer and presenter. Formerly the art critic of The Guardian , he took the same role at The Sunday Times in 1992, and has twice won the Critic of the Year award.
Psychology is the scientific study of mind and behavior. [1] [2] Its subject matter includes the behavior of humans and nonhumans, both conscious and unconscious phenomena, and mental processes such as thoughts, feelings, and motives. Psychology is an academic discipline of immense scope, crossing the boundaries between the natural and social ...
In positive psychology, a meaningful life is a construct having to do with the purpose, significance, fulfillment, and satisfaction of life. [1] While specific theories vary, there are two common aspects: a global schema to understand one's life and the belief that life itself is meaningful.
Ramirez went to St Bernard's Catholic Grammar School in Slough, Berkshire, where she was head girl. [2] She gained a degree in English literature, specialising in Old and Middle English, from St Anne's College, Oxford, before completing her postgraduate studies at the Centre for Medieval Studies, University of York.
The five basic principles of humanistic psychology are: Human beings, as human, supersede the sum of their parts. They cannot be reduced to components. Human beings have their existence in a uniquely human context, as well as in a cosmic ecology. Human beings are aware and are aware of being aware—i.e., they are conscious.
Picasso: Magic, Sex, & Death (2001) is a three-episode Channel 4 film documentary series on Pablo Picasso (1881–1973) presented by the artist's friend and biographer John Richardson, and directed by Christopher Bruce or British art critic Waldemar Januszczak, who was also the series director.
Existential nihilism is the philosophical theory that life has no objective meaning or purpose. [1] The inherent meaninglessness of life is largely explored in the philosophical school of existentialism, where one can potentially create their own subjective "meaning" or "purpose".
Colour is the keyboard. The eye is the hammer, while the soul is a piano of many strings. The artist is the hand through which the medium of the corresponding keys causes the human soul to vibrate. It is, thus, evident that colour harmony can rest only on the principle of the corresponding touch to the human soul. [114] [note 23]