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A Partimento (from the Italian: partimento, plural partimenti) is a sketch (often a bass line), written out on a single staff, whose main purpose is to be a guide for the improvisation ("realization") of a composition at the keyboard. [1] A Partimento differs from a basso continuo accompaniment in that it is a basis for a complete composition. [2]
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
Finally, the tenth piece in the set consists of a well-known melody accompanied by a bouncing note in the bass line. [ 3 ] Bartók is known to have played pieces five and ten for recording on November 20, 1929, although it is unknown if he ever recorded himself playing the rest of the pieces.
96-button Stradella bass layout on an accordion. C is in the middle of the root note row. The Stradella Bass System (sometimes called [1] standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns.
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A separation between "organ" and "bass" mixes of tracks appeared in the early bassline scene, with "bass" or "B-Line" tracks featuring a "warp" or "reese" synthesized bass line, influenced by speed garage, and "organ" tracks featuring sampled Korg M1-style organ leads, influenced by the house music of the 1990s.
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The figured bass consisted of a bass line written in normal staff notation, but marked with numerals or other symbols to indicate the harmonies. A short example might look like this. Figured bass line, a short example. Indeed the entire Baroque period is sometimes referred to as the Figured Bass period. [2]