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Chemical resist dyeing is a modern textile printing method, commonly achieved using two different classes of fiber reactive dyes, one of which must be of the vinyl sulfone type. A chemical-resisting agent is combined with dye Type A, and printed using the screenprint method and allowed to dry.
Yūzen (友禅) is a Japanese resist dyeing technique where dyes are applied inside outlines of dyed or undyed rice-paste resist, which may be drawn freehand or stencilled; the paste keeps the dye areas separated.
Often the resist is then removed. For example in the resist dyeing of textiles, wax or a similar substance is added to places where the dye is not wanted. The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4]
Batik-like resist dyeing is an ancient art form. It existed in Egypt in the 4th century BC, where it was used to wrap mummies; linen was soaked in wax, and scratched using a stylus. It continued to be used to the medieval Byzantine era, although surviving pieces are rare. [14]
Other terms including plangi and tritik are Indonesian terms derived from Javanese words for methods related to tie-dye. In Indonesia, tie-dye might be combined with other dyeing technique, such as batik jumputan, which combine tie-dye with batik wax-resist dyeing. [9] Ikat is a method of tie-dyeing the warp or weft before the cloth is woven.
Resist dyeing and the related resist printing are terms for a number of traditional methods of dyeing textiles with patterns. Methods are used to "resist" or prevent the dye from reaching all the cloth, thereby creating a pattern and ground. The most common forms use wax, some type of paste, or a mechanical resist that manipulates the cloth ...
An example of shibori tied in small dots to form a tortoiseshell (kikko) design. There are many ways to create shibori, with techniques generally grouped into three categories: kōkechi, tied or bound resists; rōkechi, wax resists; and kyōkechi, resists where the fabric is folded and clamped between two carved wooden blocks.
Meiji period, Honolulu Museum of Art. Tsutsugaki (筒描) is a Japanese technique of resist dyeing that involves drawing rice-paste designs on cloth, dyeing the cloth, and then washing off the paste. [1] The rice paste is typically made from sweet rice, which has a high starch content and is therefore rather sticky.