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Shōka arrangement by the 40th headmaster Ikenobō Senjō, drawing from the Sōka Hyakki by the Shijō school, 1820. Ikebana flower arrangement in a tokonoma (alcove), in front of a kakemono (hanging scroll) Ikebana (生け花, 活け花, 'arranging flowers' or 'making flowers alive') is the Japanese art of flower arrangement. [1][2] It is also ...
Vase. A vase (/ veɪs / or / vɑːz /) is an open container. It can be made from a number of materials, such as ceramics, glass, non- rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective ...
Floral design or flower arrangement is the art of using plant material and flowers to create an eye-catching and balanced composition or display. Evidence of refined floral design is found as far back as the culture of ancient Egypt. Floral designs, called arrangements, incorporate the five elements and seven principles of floral design.
The earliest known flower arranging dates back to ancient Egypt. Egyptians were decorating with flowers as early as 2,500 BCE. They regularly placed cut flowers in vases, [1] and highly stylized arrangements were used during burials, for processions, and simply as table decorations. Illustrations of arranged flowers have been found on Egyptian ...
majolica n. 1. is earthenware decorated with coloured lead glazes applied directly to an unglazed body. Victorian majolica is the familiar mass-produced earthenware decorated with coloured lead glazes [6] made during the Victorian era (1837–1900) in Britain, Europe and the US, typically hard-wearing, surfaces frequently moulded in relief, vibrant translucent glazes, in a variety of styles ...
A large number of his glass works, especially vases, are inspired by and named for flowers. He was a dedicated botanist, and had an extensive flower garden at this residence as a source of models. He also required his artists to use actual plants as models if they were depicting them. They also had a strong symbolic appeal for Gallé.
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