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The Danny Kaye Show with Lucille Ball (1962) The Lucy Show (1962–1968) The Bob Hope Specials (1962) The Greatest Show on Earth (1963) Mr. and Mrs. (1964) Lucy in London (1966) Carol + 2 (1967) The Carol Burnett Show (1967–1971) Here's Lucy (1968–1974) The Flip Wilson Show (1971) (guest appearance) Make Room for Granddaddy (1971) (guest ...
English. Box office. $450,000 (estimate) Being the Ricardos is a 2021 American biographical drama film written and directed by Aaron Sorkin, about the relationship between I Love Lucy stars Lucille Ball and Desi Arnaz. Nicole Kidman and Javier Bardem star as Ball and Arnaz, while J. K. Simmons, Nina Arianda, Tony Hale, Alia Shawkat, Jake Lacy ...
Lured is a 1947 American film noir directed by Douglas Sirk and starring George Sanders, Lucille Ball, Charles Coburn, Sir Cedric Hardwicke, and Boris Karloff. [2] The film is a remake of 1939 French film Pièges directed by Robert Siodmak, which was titled Personal Column in the United States; Personal Column was also the title of this film as originally released.
Signature. Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American actress, comedian, producer, and studio executive. She was recognized by Time in 2020 as one of the most influential women of the 20th century for her work in all four of these areas. [1] She was nominated for 13 Primetime Emmy Awards, winning 5, [2] and was ...
United States. Language. English. Box office. $1 million [1] The Dark Corner is a 1946 American crime film noir directed by Henry Hathaway and starring Lucille Ball, Clifton Webb, William Bendix and Mark Stevens. [2] The film was not a commercial success but has since been described as a "Grade A example of film noir."
So said the eternal queen of comedy, Lucille Ball. In a way, she was right: She surrounded herself with the best writers, co-stars and producers, and through her brilliance, boldness and
Budget. $ 225,000 [1] Box office. $721,000 [1] Five Came Back is a 1939 American black-and-white melodrama from RKO Radio Pictures produced by Robert Sisk, directed by John Farrow, written by Jerry Cady, Dalton Trumbo, and Nathanael West, and starring Chester Morris and Lucille Ball. The film was photographed by cinematographer Nicholas Musuraca.
Box office. $6.5 million [2] Mame is a 1974 Technicolor musical film in Panavision based on the 1966 Broadway musical of the same name (itself based on the 1958 film Auntie Mame) and the 1955 novel Auntie Mame by Patrick Dennis. It was directed by Gene Saks, and adapted by Paul Zindel, and starred Lucille Ball in her final feature film role.