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According to the Natya Shastra, a rasa is a synthetic phenomenon and the goal of any creative performance art, oratory, painting or literature. [11] [12] Wallace Dace translates the ancient text's explanation of rasa as "a relish that of an elemental human emotion like love, pity, fear, heroism or mystery, which forms the dominant note of a dramatic piece; this dominant emotion, as tasted by ...
The Natyashastra discusses dance and many other performing arts. The most studied version of the text, consisting of about 6000 poetic verses, is structured into 36 chapters. [3] The tradition believes that the text originally had 12,000 verses. [3] [36] Somewhat different versions of the manuscripts exist, and these contain 37 or 38 chapters.
Sthayibhava or Sthyi-bhava ( Sanskrit: स्थायिभाव — IAST Sthāyibhāva, transl. Stable emotion, durable psychological state) is one of the essential artistic concepts in Sanskrit dramaturgy. The origin of this concept is attributed to Bharata while formulating his epic on Rasa theory in Natyashastra around 200 BC to 200 AD. [ 1]
The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya. The Nātyasāstra carefully delineates the bhavas used to create each ...
Shanta Rasa. Śāntarasa (Sanskrit: शान्तरस, occasionally spelled shantarasa, santarasa; transl. the imaginative experience of tranquility, emotion of emotionlessness) [1][2] is considered as a ninth rasa, a concept of aesthetic flavour in Sanskrit literature. According to translation of Abhinavabhārati, Abhinavagupta 's ...
Expression of Sringāra in Bharatanatyam. Sringara (Sanskrit: शृङ्गार, śṛṅgāra) is one of the nine rasas, usually translated as erotic love, romantic love, or as attraction or beauty. Rasa means "flavour", and the theory of rasa is the primary concept behind classical Indian arts including theatre, music, dance, poetry, and ...
Abhinaya. Abhinaya (Sanskrit abhi- 'towards' + nii- 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (bhava) of a sentiment (rasa). The concept, derived from Bharata Muni 's Natya Shastra, is used as an integral part of all Indian classical dance styles.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1][2][3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra. [4][5][6] The number of Indian classical dance styles ranges ...