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Chumash rock art is a genre of paintings on caves, mountains, cliffs, or other living rock surfaces, created by the Chumash people of Southern California. Pictographs and petroglyphs are common through interior California, the rock painting tradition thrived until the 19th century. Chumash rock art is considered to be some of the most elaborate ...
Marchand began working as a diorama artist at the New York State Museum. [1] His work on the museum's Iroquois dioramas, dedicated in 1918, earned him recognition. [2] In 1925, Marchand and his family moved to Buffalo, New York, where he and his sons Paul and George were to construct dioramas for the Buffalo Museum of Science.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
Tillamook people. The Tillamook are a Native American tribe from coastal Oregon of the Salish linguistic group. The name "Tillamook" is a Chinook language term meaning "people of [the village] Nekelim (or Nehalem)", [1] sometimes it is given as a Coast Salish term, meaning "Land of Many Waters". The Tillamook tribe consists of several divisions ...
A diorama showing native and nonnative urban wildlife in a Los Angeles backyard — a coyote with a cat in its mouth, birds around a feeder, a rat scurrying away, the downtown skyline in the hazy ...
Mississippian culture pottery. Mississippian culture pottery is the ceramic tradition of the Mississippian culture (800 to 1600 CE) found as artifacts in archaeological sites in the American Midwest and Southeast. It is often characterized by the adoption and use of riverine (or more rarely marine) shell- tempering agents in the clay paste. [1]
August 29, 1984. The Southwest Museum of the American Indian was a museum, library, and archive located in the Mt. Washington neighborhood of Los Angeles, California, United States, above the north-western bank of the Arroyo Seco canyon and stream. The museum was owned, and later absorbed by, the Autry Museum of the American West.
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [46] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
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