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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
The human ear perceives a 5-watt amplifier as half as loud as a 50-watt amplifier (a tenfold increase in power), and a half-watt amplifier is a quarter as loud as a 50-watt amp. Doubling the output power of an amplifier results in a just noticeable increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier.
Marshall company did not invent the 100-watt guitar amplifier [ edit ] Apparently, the Vox Company of Great Britain invented them in 1964 for use by The Beatles on tour - not that the extra power really helped them to be heard over tens of thousands of screaming teenagers, of course.
In 1967, Marshall released a 50-watt version of the 100-watt Superlead known as the 1987 Model. In 1969, the plexiglass panel was replaced by a brushed metal front panel. Other early customers included Pete Townshend and John Entwistle of The Who, whose search for extra volume led Marshall to design the classic 100-watt valve amplifier. [12]
In 1967-1968 The Who used the WEM (Watkins Electric Music) Audiomaster five-channel mixer and multiple WEM 100-watt transistor PA amplifiers chained together as their sound system. [4] In the concert movie Pink Floyd: Live at Pompeii (1972), the band is shown using WEM PA equipment as it performs in the ruins of an ancient amphitheatre in ...
Blackstar's alternative range to the HT Venue range - clearly designed for Metal music and play-styles. Heads come in 1, 5, and 100 watt formats, and 1, 5, and 60 watt in combo format. These amps carry the signature ISF and emulated output of Blackstar amps. The 1 and 5 watt formats have 2 channels, while the 60 and 100 watt formats have 3 ...
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