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The quarter tone scale may be primarily a theoretical construct in Arabic music. The quarter tone gives musicians a "conceptual map" they can use to discuss and compare intervals by number of quarter tones, and this may be one of the reasons it accompanies a renewed interest in theory, with instruction in music theory a mainstream requirement ...
A harp specially constructed for Carrillo's microtonal music, called arpacitera, plays 16th-tone glissandos as a superficial addition to the principal lines. [6] The guitar is adapted for quarter-tone playing by the addition of extra frets, and the octavina (also known as guitarrón , a large bass guitar familiar from mariachi bands) is ...
Xanadu for two pianos tuned a quarter tone apart (ca. 1930) [14] Dirge for two pianos tuned a quarter tone apart, [21] published in New Music quarterly (January 1937) [22] Rumba for two pianos tuned a quarter tone apart (ca. 1937) [23]
WCOL-FM first came on the air in 1948. In the early 1970s, it carried religious programming in the daytime and rock music in the evening. 1970 through 1978, WCOL-FM was known as "Stereo Rock 92" and offered programming as an eclectic album-oriented rock (AOR) station, and was moderately popular. The on-air mix included Jazz, soul, country and ...
A septimal quarter tone (in music) is an interval with the ratio of 36:35, which is the difference between the septimal minor third and the Just minor third, or about 48.77 cents wide. The name derives from the interval being the 7-limit approximation of a quarter tone .
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
In 1972 he completed his Master of Arts Degree in Music, also at Ohio State. During World War II he served in Guam and Okinawa as a band musician. After the war, he played bass clarinet in the Columbus Philharmonic Orchestra where he met his first wife, the bassoonist and critic Rosemary Curtin Hite.
Lossing has been part of the New York jazz scene since 1986. [2] In 1988 he earned a Master of Music from the Manhattan School of Music. [1] He has led or co-led numerous bands, including: his own trio with Masa Kamaguchi and Billy Mintz; Three-Part Invention with bassist Mark Helias and trumpeter Ralph Alessi; and duos with saxophonist Tim Berne, drummer Gerry Hemingway, and guitarist Ben ...
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