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Riff-driven songs are largely a product of jazz, blues, and post-blues era music (rock and pop). [10] The musical goal of riff-driven songs is akin to the classical continuo effect, but raised to much higher importance (in fact, the repeated riff is used to anchor the song in the ears of the listener). The riff/continuo is brought to the ...
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener." [1] The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus.
Music lovers in the UK have done their best to finally put to rest the endless debate of what is the greatest guitar riff in music history. The voting was sponsored by BBC Radio 2 for a just over ...
All these songs use twelve bar blues riffs, and most of these riffs probably precede the examples given. [30] Neither of the terms 'riff' or 'lick' are used in classical music. Instead, individual musical phrases used as the basis of classical music pieces are called ostinatos or simply phrases.
For example, Robert Johnson and Tampa Red, who were the first to record the most blues standards on the list at four each, performed them as solo or duo acoustic performances. B.B. King and Muddy Waters , with the most standards on the charts at five each, [ 8 ] used electric blues-ensemble arrangements.
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure. In drumming, a fill is defined as a "short break in the groove —a lick that 'fills in the gaps' of the music and/or signals the end of a phrase.
In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them ...