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Drawing by Marguerite Martyn of two women and a child knitting for the war effort at a St. Louis, Missouri, Red Cross office in 1917. Though the United States was in combat for only a matter of months, the reorganization of society had a great effect on life for children in the United States.
The painting provides a powerful testimony of the effects of chemical weapons, vividly described in Wilfred Owen's poem Dulce et Decorum Est (although his poem describes the effects of chlorine gas). [1] Mustard gas is a persistent vesicant gas, with effects that only become apparent several hours after exposure. It attacks the skin, the eyes ...
The Eye of Françoise and Alfred Brauner ", showcased a selection of children's drawings from the exceptional "Alfred and Françoise Brauner" Collection of children's drawings in wartime from 1902 to 2001 (including the World War I, the Spanish Civil War, the World War II, the Israeli-Palestinian Conflict, the Algerian War, the Lebanese Civil ...
The nation placed a great importance on the role of children, teaching them patriotism and national service and asking them to encourage war support and educate the public about the importance of the war. The Boy Scouts of America helped distribute war pamphlets, helped sell war bonds, and helped to drive nationalism and support for the war. [61]
Before World War II, the events of 1914–1918 were generally known as the Great War or simply the World War. [1] In August 1914, the magazine The Independent wrote "This is the Great War. It names itself". [2] In October 1914, the Canadian magazine Maclean's similarly wrote, "Some wars name themselves. This is the Great War."
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Yale University's Beinecke Rare Book & Manuscript Library - online collection of digital images. Most will be {PD-art}. 90,000 images from rare books and manuscripts, search by keyword. New York Public Library. Over 700,000 images scanned from books.
The World War I Memorial in Washington, D.C. shows the effects of the passing years. Iconic memorials created after the war are designed as symbols of remembrance and as carefully contrived works of art. In London, the Guards Memorial was designed by the sculptor Gilbert Ledward in 1923–26.