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According to lead singer, Matt Thiessen, the album was created with a "Five" theme, as it is the band's fifth album, and for the first time Relient K has five members on an album. The "Seven Years Ago" links with the fact that the group's first album was created seven years prior to the release of this album, making for five albums in seven years.
[7] [8] [9] Relient K has found commercial success with their studio albums, three of which peaked in the top 15 of the U.S. Billboard 200 chart: 2004's Mmhmm, which debuted at No. 15, 2007's Five Score and Seven Years Ago, their fifth and most successful album, which debuted at No. 6; and 2009's Forget and Not Slow Down, which debuted at No. 15.
Two Lefts Don't Make a Right...but Three Do (often called Two Lefts) is the third full-length album released by Christian rock band Relient K.The album was nominated for a Grammy for Best Rock Gospel Album, but the award that year ended up being won by Worldwide by Audio Adrenaline.
Let It Reindeer was announced for released in two months' time. [7] It was released on October 23, 2007, selling 4,500 copies in its first week. The album is a re-release of the band's Christmas EP, Deck the Halls, Bruise Your Hand , but with seven new songs and some other changes, such as track listing and a new ending to one song.
A seventh chord with a minor third, perfect fifth, and minor seventh is commonly called a minor seventh chord, but also sometimes a minor/minor seventh chord to distinguish it from the minor/major seventh chord discussed below. It can be represented as either as m 7 or − 7, or in integer notation, {0, 3, 7, 10}.
Deck the Halls, Bruise Your Hand is the first Christmas album released by Christian rock band Relient K.It was released in many stores as a combo pack with later copies of their previous full-length album, Two Lefts Don't Make a Right...but Three Do.
Many deathbed confessions are bombshells that leave aftershocks to those who hear them. For some, these final words before passing on are so haunting that they’ve been documented for the ...
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
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