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Like subsequent British compilations collecting the Kinks' mid-1960s hits, the album's sales surpassed those of the band's late 1960s studio albums. [ 16 ] [ c ] It remained on the Billboard Top LPs chart for 64 weeks, peaking in November 1966 at number 9, [ 19 ] making it the Kinks' highest charting album in the US. [ 20 ]
The Kinks, an English rock band, were active for over three decades, from 1963 to 1996, releasing 26 studio albums and four live albums. [1] The first two albums are differently released in the UK and the US, partly due to the difference in popularity of the extended play format (the UK market liked it, the US market did not, so US albums had the EP releases bundled onto them), and partly due ...
By the end of 1965, the Kinks had written more than 50 songs in two years, and it’s dizzying to consider that the early albums could have been even greater if so much of the best material hadn ...
Scattered (The Kinks song) See My Friends; Set Me Free (The Kinks song) Shangri-La (The Kinks song) She Bought a Hat Like Princess Marina; She's Bought a Hat Like Princess Marina; She's Got Everything (song) Sitting by the Riverside; Sitting in My Hotel; Sitting in the Midday Sun; Sleepwalker (The Kinks song) So Mystifying; Starstruck (The ...
The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, Mellotron, and horns, in albums such as Face to Face, Something Else by the Kinks, The Kinks Are the Village Green Preservation Society, and Arthur (Or the ...
Face to Face eventually earned retrospective critical acclaim, recognized as a pivotal record of the psychedelic era and an important milestone in the Kinks' evolution. The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981). [9]
Billboard praised the single's "off-beat music hall melody and up-to-date lyrics." [17] Cash Box said that it is a "slow-moving, blues-drenched, seasonal affair with a catchy, low-key repeating riff." [18] "Sunny Afternoon" was placed at No. 200 on Pitchfork Media's list of The 200 Greatest Songs of the 1960s. [19]
"You Really Got Me" was written by Ray Davies, the Kinks' vocalist and main songwriter, sometime between 9 and 12 March 1964. [4] Created on the piano in the front room of the Davies' home, the song was stylistically very different from the finished product, being much lighter and somewhat jazz-oriented. [4]
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