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If an instrumental piece is intended to be performed by more than one person, each performer will usually have a separate piece of sheet music, called a part, to play from. This is especially the case in the publication of works requiring more than four or so performers, though invariably a full score is published as well. The sung parts in a ...
All; all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the point marked tutti.
An orchestral reduction is a sheet music arrangement of a work originally for full symphony orchestra (such as a symphony, overture, or opera), rearranged for a single instrument (typically piano or organ), a smaller orchestra, or a chamber ensemble with or without a keyboard (e.g. a string quartet).
the music played by any group of musicians who all perform together for a given piece; in a symphony orchestra, a dozen or more cello players may all play "the same part" even if they each have their own physical copy of the music. [2] This part may be in unison or may be harmonized, and may even sometimes contain counter-melodies within it.
Schumann's 1841 Fantasia for piano and orchestra, in form similar to Weber's Konzertstück, was later rewritten and expanded with two further movements into his Piano Concerto Op. 54. [4] When the soloist is a vocalist , the piece rather belongs to the concert aria genre.
In music for ensembles, a "score" shows music for all players together, with the staves for the different instruments and/or voices stacked vertically. The conductor uses the score while leading an orchestra, concert band, choir or other large ensemble. Individual performers in an ensemble play from "parts" which contain only the music played ...
Composer Gustavo Santaolalla talks about taking on the 1931 classic 'Dracula' score. The Oscar winner takes the United Theater on Broadway stage with the L.A. Opera orchestra.
The shorthand for the instrumentation of a symphony orchestra (and other similar ensembles) is used to outline which and how many instruments, especially wind instruments, are called for in a given piece of music. The shorthand is ordered in the same fashion as the parts of the individual instruments in the score (when read from top to bottom).
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