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Cecil Sharp whipped out his notebook and took down the tune; and then persuaded John to give him the words. He immediately harmonised the song; and that same evening it was sung at a choir supper by Mattie Kay, Cecil Sharp accompanying. The audience was delighted; as one said, it was the first time that the song had been put into evening dress. [4]
The album was released on June 24, 2014, and it is the Nothing More's first album with the prominent independent rock label Eleven Seven Music. The songs on Nothing More deal with an array of subject matter such as the mixture of religion, corporations, mental illness, and capitalism.
Raise the song of harvest home! 2. We ourselves are God's own field, Fruit unto his praise to yield; Wheat and tares together sown Unto joy or sorrow grown; First the blade and then the ear, Then the full corn shall appear; Grant, O harvest Lord, that we Wholesome grain and pure may be. 3. For the Lord our God shall come,
Three days later, Nothing More's new album title, Spirits, was revealed alongside its title track. Set for release on October 14, [54] another song from the record, "You Don't Know What Love Means", was released in advance of the album in mid-August. [55] On January 19, 2024, Nothing More released a non-album single "If It Doesn't Hurt". [56]
The discography of American rock band Nothing More consists of six studio albums, one compilation album, one extended play, eight singles, and twelve music videos.While recording a number of lower profile independent releases through the 2000s, the band did not receive widespread attention for their releases until signing to the Eleven Seven record label in 2014. [1]
The Vol 1 came out the same year, a free album, containing 5 tracks of songs based on texts from the Book of Psalms. And in early 2014, "Psalms EP, Vol 2" was released. This, achieved by a project grant from the fans of gospel rock band, via Kickstarter, contains 5 tracks being sold on iTunes and other online music stores.
But Wild God, his 18th album with The Bad Seeds, feels more like a baptism: an ecstatic immersion in the rushing, pooling waters of love and loss that the sexagenarian artist has experienced since ...
Work on the album began at the beginning of 2016, [4] and was written and recorded across 2016 and 2017. [5] The band continued the approach of writing and recording the album in their own home studio, similar to their prior two albums, The Few Not Fleeting and Nothing More; frontman Johnny Hawkins felt that technology had advanced enough to create a professional sounding album with their own ...