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"Acquisition of lingual obstruents in Greek" (PDF). Proceedings of the 6th International Conference of Greek Linguistics; Trudgill, Peter (2009). "Greek Dialect Vowel Systems, Vowel Dispersion Theory, and Sociolinguistic Typology". Journal of Greek Linguistics. 9 (1): 80– 97. doi: 10.1163/156658409X12500896406041.
The transcription table is based on the first edition (1982) of the ELOT 743 transcription and transliteration system created by ELOT and officially adopted by the Greek government. The transliteration table provided major changes to the original one by ELOT, which in turn aligned to ISO 843 for the second edition of its ELOT 743 (2001).
Five Lines (Greek: πέντε γραμμαί, romanized: pente grammai) is the modern name of an ancient Greek tables game. [1] [2] Two players each move five counters on a board with five lines, with moves likely determined by the roll of a die. The winner may have been the first one to place their pieces on the central "sacred line".
It is based on Bauer's fifth German edition (1957–1958). This second edition, Bauer-Danker Greek Lexicon of the New Testament, is commonly known as BAGD (due to the abbreviation of the contributors Bauer–Arndt–Gingrich–Danker). The third English edition was published in 2000/1 by the University of Chicago Press, ISBN 9780226039336).
This is a list of letters of the Greek alphabet. The definition of a Greek letter for this list is a character encoded in the Unicode standard that a has script property of "Greek" and the general category of "Letter". An overview of the distribution of Greek letters is given in Greek script in Unicode.
Die Fragmente der griechischen Historiker, commonly abbreviated FGrHist or FGrH (Fragments of the Greek Historians), is a collection by Felix Jacoby of the works of those ancient Greek historians whose works have been lost, but of which we have citations, extracts or summaries.
Greek Theatre Performance: An Introduction. Cambridge University Press, Cambridge: 2000; Wiles, David. The Masks of Menander: Sign and Meaning in Greek and Roman Performance, Cambridge, 1991. Wiles, David. Mask and Performance in Greek Tragedy: from ancient festival to modern experimentation, Cambridge, 1997.