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The psalm has been variously dated to either the 8th century BC, the time of the prophets Hosea and Micah, or to a time after the Babylonian captivity.The latter date is supported by the reference to "gathering" in verse 5, but is problematic because verse 2 describes Zion (another name for Jerusalem) as "the perfection of beauty", even though Jerusalem was destroyed in 587 BC.
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David is depicted giving a penitential psalm in this 1860 woodcut by Julius Schnorr von Karolsfeld. The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering).
The laments of the people are voiced here and their promise to sing the praises of God at all times is established. This Psalm is labeled as a song or psalm to the leader, [7] interpreted as the chief musician [10] or leader of the community. [5] The leader ends the psalm with a statement about the wicked being humbled and the righteous being ...
Psalm 51, also known as the Miserere ("have mercy") poem, was usually read as a plea by David, asking God for forgiveness for his affair with Bathsheba. The Kentish Psalm begins by recounting that traditional exegetical material, followed by "an expansive paraphrase" of the psalm, and ends with the poet's plea that God "forgive the poet and ...
An example of a 16th-century metrical psalter. A metrical psalter is a kind of Bible translation: a book containing a verse translation of all or part of the Book of Psalms in vernacular poetry, meant to be sung as hymns in a church.
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Girolamo Savonarola by Fra Bartolomeo, c. 1498.. Infelix ego ("Alas, wretch that I am") is a Latin meditation on the Miserere, Psalm 51 (Psalm 50 in Septuagint numbering), composed in prison by Girolamo Savonarola by 8 May 1498, after he was tortured on the rack, and two weeks before he was burned at the stake in the Piazza della Signoria in Florence on 23 May 1498.
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