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"Our Song" was written by Yes members Jon Anderson (vocals), Trevor Rabin (guitars and keyboards), Chris Squire (bass), Alan White (drums) and Tony Kaye (keyboards). [1] The lyrics make references to the song "Rule, Britannia!" and the city of Toledo, Ohio which is mentioned prominently in the first verse as "just another good stop along the good king's highway" and "the silver city".
2 I seem to see one walking: 3 I shall wear a golden crown, 33 I sought to find my heart's desire: 2 I strive to walk the narrow way: 2 I walk with Jesus though his pierced feet: 2 I want to be there at the roll call: 3 I want to tell the story I love so well: 2 I was once a sinner, but I came: 47 I will not leave you comfortless (Miles) 2
The King's Highway Historic District in New Jersey covers U.S. Route 206 and New Jersey Route 27, connecting Lawrenceville with Kingston through Princeton. [2] In Pennsylvania, much of the route is now U.S. Route 13. [3] (In Philadelphia, Route 13 becomes Frankford Avenue.) [4] Through Maryland, the King's Highway largely follows U.S. Route 1. [5]
The track has been recorded in a variety of genres, including country, folk, alternative rock, electronic and black metal. [2] The lyrics warn evildoers that they cannot avoid God's eventual judgment. [3] As "Run On For A Long Time", it was released in 1949 by Bill Landford & The Landfordaires.
Way of the Patriarchs (blue) with Via Maris (purple) and King's Highway (red) The Road of the Patriarchs or Way of the Patriarchs (Hebrew: דֶּרֶךְ הֲאָבוֹת Derech haʾAvot Lit. Way (of) the Fathers) is an ancient north–south route traversing the land of Israel and the region of Palestine. [1]
The entire book is presented as a dream sequence narrated by an omniscient narrator.The allegory's protagonist, Christian, is an everyman character, and the plot centres on his journey from his hometown, the "City of Destruction" ("this world"), to the "Celestial City" ("that which is to come": Heaven) atop Mount Zion.
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Carrie Belle (Wilson) Adams (1859–1940) was the first American woman to conduct a public performance of Handel's oratorio, "Messiah." [1] An Ohio native and musical child prodigy who performed in concert for the first time at age seven, [2] she spent much of her life in Indiana, where she was a choral conductor and organist.