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Imperial Fritillaries in a Copper Vase is an oil painting on canvas measuring 73.5 by 60.5 cm which was painted in Paris in 1887. [1] [2] It depicts a bouquet of golden imperial fritillaries in a copper vase, the shiny patina of which (surrounded by lavender highlights) "reflects the color of the flowers as the motted wall stands out with a combination of blue, green and yellow shades" with ...
National Gallery, London. Sunflowers (original title, in French: Tournesols) is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase.
Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or ...
In pure etching, a metal plate (usually copper, zinc, or steel) is covered with a waxy or acrylic ground. The artist then draws through the ground with a pointed etching needle, exposing the metal. The plate is then etched by dipping it in a bath of etchant (e.g. nitric acid or ferric chloride). The etchant "bites" into the exposed metal ...
Van Gogh's artistic transition reflected in his still lifes (1886–1887) Vase with Red Gladioli, 1886, Private collection (F247) This painting represents some of Van Gogh's early Paris still life, where he introduced brighter, contrasting color. Fritillaries in a Copper Vase, 1887, Musée d'Orsay, Paris (F213) This is an example of Van Gogh's ...
Intaglio (/ ɪnˈtæli.oʊ, - ˈtɑːli -/ in-TAL-ee-oh, -TAH-lee-; [1] Italian: [inˈtaʎʎo]) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. [2] It is the direct opposite of a relief print where the parts of the matrix that make the image ...
The Miserere (1916–1927) is one of the most original and creative series of prints of the 20th century, in which the artist combined different techniques: the drawing was transferred to copper plates by means of heliogravure, on which Rouault worked with acid and etching tools, achieving unique tones and values in the history of printmaking. [6]
The Ravine of the Peyroulets, or The Ravine is an 1889 oil painting by the Dutch Post-Impressionist painter Vincent van Gogh.It is part of a large series of paintings created during a time of extraordinary creative activity for the artist in the last year of his life, after he had committed himself to the Saint-Paul Asylum near Saint-Rémy-de-Provence.