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Teddy Afro made his debut in 2001 with the album Abugida, quickly establishing himself as a prominent voice in his native country.Mixing reggae, traditional Ethiopian styles, and pop music, his sophomore LP, 2005's Yasteseryal yielded a major hit in its controversial title track, which criticized corruption in the country's government.
Hailu Mergia was born in 1946 in the Shewa Province of the Ethiopian Empire and moved to Addis Ababa at age 10. [2] He grew up on traditional Oromo, Amhara and Tigrinya songbook melodies, and taught himself the accordion at age 14. [3] In 1952, when he was 14, he dropped out of high school and joined the army music department to support his family.
Emahoy did not release any of her music made during the 1970s to the 1990s, due to the Derg party coup in 1974, which heavily policed non government or military oriented music. This led to a resurgence of Emahoy's compositions from the 1960s and 1970s when a compilation of Emahoy's work was issued on the Éthiopiques record label.
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The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
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Mulatu recorded Mulatu of Ethiopia (1972) in New York City, but most of his music was released by Amha Eshete's label Amha Records in Addis Ababa, Ethiopia, including several singles, his album Yekatit Ethio Jazz (1974), and six out of the ten tracks on the compilation album Ethiopian Modern Instrumentals Hits.
Tilahun Gessesse (Amharic: ጥላሁን ገሠሠ; 27 September 1940 – 19 April 2009) was an Ethiopian singer regarded as one of the most popular Ethiopian artist of the 20th century. Noted by his tenor voice, he was nicknamed "The Voice" during his country's " Golden Age " in the 1960s.
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