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Ilkal sari is a traditional form of sari which is a common feminine wear in India. Ilkal sari takes its name from the town of Ilkal in the Bagalkot district of Karnataka state, India. Ilkal saris are woven using cotton warp on the body and art silk warp for border and art silk warp for pallu portion of the sari.
Saree is the traditional dress of women in Karnataka. Women in Kodagu have a distinct style of wearing the saree, different from the rest of Karnataka. Dhoti, known as Panche in Karnataka, is the traditional attire of men. Shirt, Trousers and Salwar kameez are widely worn in Urban areas.
Kasuti embroidery work on Ravike ca. 1855–1879.. Kasuti is a traditional form of folk embroidery practised in the state of Karnataka, India. [1] Kasuti work which is very intricate sometimes involves putting up to 5,000 stitches by hand and is traditionally made on dresswear like Ilkal sarees, Ravike/Kuppasa(Khana) and Angi.
The traditional folk arts are major theatrical forms in coastal Karnataka. Contemporary theatre culture in Karnataka is one of the most vibrant in India, with organizations like Ninasam , Ranga Shankara , and Rangayana on foundations laid by the Gubbi Veeranna Nataka Company .
A sari (sometimes also saree [1] or sadi) [note 1] is a drape (cloth) [2] and a women's garment in the Indian subcontinent. [3] It consists of an un-stitched stretch of woven fabric arranged over the body as a dress, with one end attached to the waist, while the other end rests over one shoulder as a stole, [4] [5] sometimes baring a part of the midriff.
It is the traditional dress of women in Kerala, a state in the southwestern part of India. [34] [35] The basic traditional piece is the mundu or lower garment which is the ancient form of the saree denoted in Malayalam as 'Thuni' (meaning cloth), while the neriyathu forms the upper garment the mundu. [34] [35] Mekhela Sador
Traditional Gorava devotees dance in a trance, sometimes barking like dogs. The dancers move in a clockwise zigzag, with no fixed choreography. The North Karnataka Goravas wear yellow powder on their foreheads and give Prasada to devotees. Damaru, venu, small bronze bells and cowbells (paarigante) are played. The dance consists of trance-like ...
The pancha is worn by many conservative Jain men when they visit derasars or basadis for puja; unstitched clothing is believed by some Jains to be "less permeable to pollution" and therefore more appropriate for religious rituals than other garments. [38] They also wear a loose and unstitched cloth, shorter than the pancha on top.