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Wendell Castle (November 6, 1932 – January 20, 2018) was an American sculptor and furniture maker and an important figure in late 20th century American craft. [3] He has been referred to as the "father of the art furniture movement" [4] and included in the "Big 4" of modern woodworking with Wharton Esherick, George Nakashima, and Sam Maloof.
The work is created on the "right" side, contrary to bobbin lace which is typically worked on the "back" side. The work is folded over a finger of the stitcher, with the working area in focus at the top. In the Alençon style, the stitching is completed with the needle pointing upwards and the working hand moving away from the lacemaker. [11]
Free-form needlepoint designs are created by the stitcher. They may be based around a favorite photograph, stitch, thread color, etc. The stitcher just starts stitching! Many interesting pieces are created this way. It allows for the addition of found objects, appliqué, computer-printed photographs, goldwork, or specialty stitches.
The needle is set at a right angle to the surface that is measured and the stop is tightened. The sculptor then takes the whole cross, pointing machine and all, to the block of stone or wood and sets it up on the identical, corresponding basic points. The needle that defines the measuring point can slide.
The standard gauge 200-needle machine can knit the finest yarns up to a good sport-weight (4ply UK), while the heavier yarns knit better on a mid-gauge or bulky knitting machine. Machine knitting saves a considerable amount of time but does require learning to operate the machines correctly.
Items made on the lathe include tool handles, candlesticks, egg cups, knobs, lamps, rolling pins, cylindrical boxes, Christmas ornaments, bodkins, knitting needles, needle cases, thimbles, pens, chessmen, spinning tops; legs, spindles, and pegs for furniture; balusters and newel posts for architecture; baseball bats, hollow forms such as ...
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The latest type of this machine used a vertical needle bar and a straight needle. [ 2 ] Wilson had the good fortune soon after securing his patent to interest Nathaniel Wheeler, a young carriage maker who possessed some capital, in his machine, and out of this connection grew the great house of Wheeler & Wilson.