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Yodeling (also jodeling) is a form of singing which involves repeated and rapid changes of pitch between the low-pitch chest register (or "chest voice") and the high-pitch head register or falsetto. The English word yodel is derived from the German word jodeln, meaning "to utter the syllable jo" (pronounced "yo").
Belting (or vocal belting) is a specific technique of singing by which a singer carries their chest voice above their break or passaggio with a proportion of head voice. Belting is sometimes described as "high chest voice" or "mixed voice" (not to be confused with the mixing technique), although if this is done incorrectly, it can potentially ...
For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano. A voice teacher would therefore look to see whether the singer was more comfortable singing higher, or lower. If she were more comfortable singing higher, then the teacher would probably classify her as a soprano.
Voice classification is the process by which human singing voices are evaluated and are thereby designated into voice types. These qualities include but are not limited to: vocal range , vocal weight , vocal tessitura , vocal timbre , and vocal transition points such as breaks and lifts within the voice.
Speech: Speech quality is often termed modal speech by voice scientists or chest voice by singers. [59] [60] Speech quality includes thick vocal folds and a neutral/mid larynx position. [61] Falsetto: In Estill Voice Training terminology, the term falsetto has a meaning distinct from falsetto as a male vocal register in Western classical ...
Voices with naturally acquired squillo (i.e., having naturally strong higher formants) are especially prized in opera because they allow a singer to sustain lyric qualities such as limpid high notes and consistency of tone throughout the vocal range, even in dramatic singing. Uses of the squillo include:
Description: Dramatic mezzo-sopranos have ranges very similar to a dramatic soprano. The main difference is the endurance and ease in which the two voice-types sing – a mezzo will concentrate singing most of the time in her middle and low registers and will go up to notes like high B-flat only at the dramatic climax.
Hence, in musical notation, tessitura is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used.