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We Will Rock You (often abbreviated as WWRY) is a jukebox musical based on the songs of British rock band Queen with a book by Ben Elton.The musical tells the story of a renegade group known as the Bohemians who struggle to restore the free exchange of thought and culture in a vaguely Orwellian society.
"Axel F" is an electronic instrumental track by German musician Harold Faltermeyer. It served as the theme song for the 1984 film Beverly Hills Cop, its eponymous character (as portrayed by Eddie Murphy) and the film franchise it is based on, and became an international number one hit in 1985.
Bohemian Rhapsody is a 2018 biographical musical drama film that focuses on the life of Freddie Mercury, the lead singer of the British rock band Queen, from the formation of the band in 1970 to their 1985 Live Aid performance at the original Wembley Stadium.
Murphy rose to stardom on the big screen, in part, playing Foley in the original 1984 “Beverly Hills Cop” and followed it up with sequels in 1987 and 1994. For Murphy, playing Foley is a ...
Beverly Hills Cop: Axel F is a 2024 American action comedy film directed by Mark Molloy and written by Will Beall, Tom Gormican, and Kevin Etten from a story by Beall. Serving as the fourth installment in the Beverly Hills Cop film series and a sequel to Beverly Hills Cop III (1994), Eddie Murphy (who also produces) reprises his role as Axel Foley, with Judge Reinhold, John Ashton, Paul Reiser ...
[3] [4] Based on the play Elizabeth the Queen by Maxwell Anderson—which had a successful run on Broadway with Lynn Fontanne and Alfred Lunt in the lead roles—the film fictionalizes the historical relationship between Queen Elizabeth I and Robert Devereux, 2nd Earl of Essex. The screenplay was written by Norman Reilly Raine and Aeneas MacKenzie.
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It is a fictional account of how Queen Victoria was eventually brought out of her mourning for her dead husband, Prince Albert. It was directed by Jean Negulesco , written and produced by Nunnally Johnson and based on the 1949 novel of the same name by American artillery sergeant and San Francisco newspaperman Theodore Bonnet (1908–1983).