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Ronald James and Reginald Kray were born on 24 October 1933 in Haggerston, East London, to Charles David Kray (1907–1983) and Violet Annie Lee (1909–1982).The Krays were thorough Eastenders – Charles from Shoreditch and Violet from Bethnal Green – and were apparently of mixed Irish, Austrian Jewish and Romanichal descent, [4] [5] [6] although this has been disputed. [7]
The book received acclaim on its release. Paul Dalby of the Bristol Evening Post described the book as "exhaustively researched" and "horrifying." [5] Tom Clayton of the Daily Telegraph called the book a "scrupulous dossier of the Twins weird career." [6] Terry Mapes of the News Journal said the book was "potent" and "skillfully written."
Both wrote best-selling books about their lives and, in 1990, a full-length biographical film entitled The Krays was released (featuring real-life brothers Martin and Gary Kemp as the Kray twins). Jack McVitie was portrayed by actor Tom Bell in this film before also featuring in the 2004 film Charlie , this time depicted by Marius Swift.
The book's Foreword and its "A Final Word" are authored by Fred Dinenage. Thirteen Chapters are ghostwritten with the twins, jointly and individually. Reg and Ron Kray are credited as the authors of: 1. Memories of an East End Childood; 2. Crime and Punishment; and 8. The Women We Loved. Reg nominally authors: 3. The Swinging Sixties; 6.
The underworld activities of Ronnie and Reggie Kray were cited by Lord Hamilton of Epsom as he spoke against Government legislation.
He grew increasingly agitated and began making threats against the Krays. To placate him, they brought a woman to the flat: Liza Prescott, a blonde night club hostess, who was known by firm member Tommy Cowley. Mitchell soon became enamored with her, further complicating the situation. The Krays decided the only solution was to kill him. [12] [18]
Shaw co-wrote a book with Kate Kray, the widow of Ronnie Kray, entitled Roy Shaw: Unleashed (2003). The book is a collection of stories and anecdotes about the criminal underworld of London in the 1970s/1980s, as well as Shaw's boxing career. Shaw's autobiography, entitled Pretty Boy (2003), was also co-written by Kray. It goes into further ...
Maybe she had children, and wanted to warn them about the wayward world beyond adolescence. Maybe her mother, or her mother's mother, told her the story, and as a child she delighted in its shocking twists and turns. Maybe it helped break up the mundanity of her domestic duties, or the telling of the story felt like a duty in itself.